Sarah Hutt (text), Dave Ladd and Stephanie Anderson (illus.), Michael Corridore (photographs) Animals are Delicious, Phaidon, 23 May 2016, 48pp., $24.95 (hbk), ISBN 978 0 7148 7123 3
It is difficult to describe Animals are Delicious as a book. What it is is a boxed set of three fold-out board books, each one describing a food web in one of three different habitats. They are titled “High in the sky, everyone is hungry”, “All around the forest, everyone is hungry” and “Deep in the ocean, everyone is hungry”.
Putting aside the quibble that the word ‘everyone’ applies to people, one side of each fold-out is in full colour while the back is in black and white. The full colour illustrations are photographs of 21 diorama-style scenes featuring model animals. These have been created by an Australian husband-and-wife team who have had experience in prop-making and animation. One disappointing aspect of this style is that the wires or threads that suspend some of the creatures in mid-air are blatantly obvious. They have not been coloured to blend in with the backgrounds. (This may have been deliberate to make the fact that the animals are models more clear.)
Despite the Antipodean origins of the illustrators, the habitats and animals described are distinctly from the northern hemisphere, except for the fold-out about the oceans which focuses on creatures found in the Antarctic. The others include shrews, bobcats, weasels and skunks, to name a few.
This set may be useful in the classroom as it could be displayed easily on a shelf, table or wall. Its use in Australian schools may be less useful because of the lack of Australian content.
Reviewed by Lynne Babbage
1 Comment
Thank you for reviewing Animals are Delicious, Lynne.
In illustrating the three food chains, the aim was to make a potentially scary concept accessible and engaging to young children, and to create a unique look to the series.
The intentional use of models built to look like toys—including very visible wires or threads—was to highlight the construction process and to create stylised, dioramas, with a nod to the way children might assemble a scene using toys and simple environments.
We have since created a how-to, published by The Guardian, to inspire kids to create and explore the books’ themes themselves.
Regarding the content, this great concept was brought to us by our US publishers to bring to life. The northern hemisphere being the largest audience.
In this case our Australian-ness was incidental to the project, but we would jump at the opportunity to create similar chains representing our fauna and habitats!
Thanks again, I hope this makes things clearer. We’re incredibly proud of the books and have had a fantastic response from readers the world over.